📺 Turn-On, the show that was cancelled half way through its first episode but is actually weirdly wonderful.

Though its central computer was a fiction, Turn-On really did use technology in ways never before seen or heard on television. Instead of a laugh track, it was saturated with the novel sounds of the Moog synthesizer (whose capabilities had been popularly demonstrated the previous year by Wendy Carlos’ Switched-On Bach). Instead of proper sets, its troupe performed against the kind of white void later associated with Gap commercials; often, that space would separate into comic-strip panels right onscreen. Its dance sequences even made use of an early motion-capture system. Alas, none of these innovations saved the show from being pulled off the air just fifteen minutes into its debut by Cleveland’s WEWS. That decisive rejection set off a cascade, and several stations on the west coast subsequently elected not to broadcast it at all.

More at Wikipedia.